Volume 25 Special Issue 1

Art for the Sake of Care

Merel Visse, Section Editor
Drew University, U.S.A.

Elena Cologni, Guest Editor
Anglia Ruskin University, U.K.

Image: Ryan Woodring’s Installation View Today and Possibly Tomorrow. 2022. 30 3D-printed candies in glass display case. Size variable. International Museum of Surgical Science. Chicago, IL. Photograph by Dan Miller.

Editorial

Volume 25 Special Issue 1.0 Editorial

Art for the Sake of Care: Editorial Introduction

by Merel Visse & Elena Cologni, Editors

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Fullness

Volume 25 Special Issue 1.1

The Pancake-Eating Pig and the Vegetable-Eating Cheetah: Three-Year-Old Children’s Affective Perception and Care for Companion Species

by Biljana C. Fredriksen & Ana Sarvanovic

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Volume 25 Special Issue 1.2

The Generative Nature of Parasites: An Experimental Essay on Parasites and Autotheory

by Jennifer Clarke

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Volume 25 Special Issue 1.3

The Ancestral Strengths of My Ukrainian Family Through the Lens of an Ecofeminism: A Collaborative Arts-Based Phenomenological Project

by Marta Stefanyshyn

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Volume 25 Special Issue 1.4

Ecological Intimacy as Anarchic Feminist Care Practice

by Keren Moscovitch

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Volume 25 Special Issue 1.5

Care as Entangled Meaningfulness in Craft Occupations: A Co-Created Photo-Elicitation

by Tamar Amiri-Savitzky, Merel Visse & Aagje Swinnen

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Volume 25 Special Issue 1.6

Mother(ings): From the Home to the Planet. A Dialogue Between Mother Art Collective and Elena Cologni

by Elena Cologni & Mother Art Collective

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INTERMEZZO I

Volume 25 Special Issue 1.7

In Sickness and in Health: Reflections on Our Commitments To Nature, Nurture, Care, and Caretaking—As Artists and Citizens—During Climate Crises

by Zsuzsanna Soboslay

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INTERMEZZO II

Volume 25 Special Issue 1.8

Drawing Moral Ecologies

by Marielle Schuurman

Forthcoming

Shared Sensibilities

Volume 25 Special Issue 1.9

Visual Arts Practices for Invisible Illnesses: An Expanded Autoethnography on Rendering and Reingesting Affliction

by Ryan Woodring

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Volume 25 Special Issue 1.10

Art in a Caring Society: An Autoethnographic Narrative

by Truus Teunissen

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Volume 25 Special Issue 1.11

Playing Voices: Building Knowledge About Caring Relationships in an Open Space

by Annette Hendrikx Susan Woelders & Tineke Abma

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Volume 25 Special Issue 1.12

When Touching Becomes Contact

by Marloeke van der Vlugt

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Volume 25 Special Issue 1.13

Care Aesthetics and ‘Being in the Moment’ Through Improvised Music-Making and Male Grooming in Dementia Care

by Sarah Campbell, Robyn Dowlen, John Keady & James Thompson

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Volume 25 Special Issue 1.14

Reasonable Adjustments: Movements of Care

by Anna Macdonald

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Volume 25 Special Issue 1.15

Caring, Showing, Working Wood: On the Caring Dimensions of Woodworking

by Tom Maassen, Nieke Koek & Tineke Abma

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INTERMEZZO III

Volume 25 Special Issue 1.16

Where Do You Find Yourself? On Listening as a Transformative Collective Practice

by Ian Nesbitt

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INTERMEZZO IV

Volume 25 Special Issue 1.17

Looking Outwards in Port-to-Port: Social Practice in the Context of Social Distancing

by Natalie Pace

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INTERMEZZO V

Volume 25 Special Issue 1.18

Curating as Caring at the Heart of Society

by Gabi Scardi

Forthcoming

Regenerating Places

Volume 25 Special Issue 1.19

Needling the Public/Private Divide: How to Stitch a Common World to Care for

by Pieter Dronkers

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Volume 25 Special Issue 1.20

C(h)ords of Care

by Mona-Lisa Angell

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Volume 25 Special Issue 1.21

Taking Care: A Handheld Practice of Listening

by Rachel Epp Buller

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Volume 25 Special Issue 1.22

Arts-Based Research as a Cultural Therapeutic: Facilitating Sexual Empowerment for Desi Women Across the Diaspora Through South Asian Erotic Folk Art

by Nisha Gupta

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Volume 25 Special Issue 1.23

Performance and Bodily Anchoring of Care: Dance’s Power to Care

by Christine Leroy

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Volume 25 Special Issue 1.24

‘Carrying’ in Art: A Meeting Between Performance Studies and Care Ethics by Analyzing the Artworks of Performance Artist Pepe Espaliú

by Marlou Otten

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Volume 25 Special Issue 1.25

Percipience, Embodiment, Contamination(s). The Artist as Wound. Practicing a Feminist Care Aesthetics

by Elena Cologni

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Mission

The International Journal of Education & the Arts currently serves as an open access platform for scholarly dialogue. Our commitment is to the highest forms of scholarship invested in the significances of the arts in education and the education within the arts. Read more about our mission…

Editors

IJEA holds strong commitment to research in interdisciplinary arts education. Our editors are respected scholars from different arts fields working together to achieve our high standard. Read more about editors…